Research Guides: Thematic Lists: Black History Month (2024)

Freedom Song : young voices and the struggle for civil rights

Melding memorable music and inspiring history, Freedom Song presents a fresh perspective on the civil rights movement by showing how songs of hope, faith, and freedom strengthened the movement and served as its voice. In this eye-opening account, you'll discover how churches and other groups--from the SNCC Freedom Singers to the Chicago Children's Choir--transformed music both religious and secular into electrifying anthems that furthered the struggle for civil rights. From rallies to marches to mass meetings, music was ever-present in the movement. People sang songs to give themselves courage and determination, to spread their message to others, to console each other as they sat in jail. The music they shared took many different forms, including traditional spirituals once sung by slaves, jazz and blues music, and gospel, folk, and pop songs. Freedom Song explores in detail the galvanizing roles of numerous songs, including "Lift Every Voice and Sing," "The Battle of Jericho," "Wade in the Water," and "We Shall Overcome." As Rosa Parks, Martin Luther King Jr., and many others took a stand against prejudice and segregation, a Chicago minister named Chris Moore started a children's choir that embraced the spirit of the civil rights movement and brought young people of different races together, young people who lent their voices to support African Americans struggling for racial equality. More than 50 years later, the Chicago Children's Choir continues its commitment to freedom and justice.

We Shall Overcome

A celebration of the gospel anthem and Civil Rights protest song "We Shall Overcome," masterfully brought to life by Caldecott Honor recipient and a nine-time Coretta Scott King Award winner Bryan Collier. "We Shall Overcome" is one of the most recognizable anthems of the Civil Rights movement, widely performed at protests and rallies to promote nonviolent civil rights activism. Now, these inspirational, empowering, legendary lyrics are brought to life with the stirring, evocative, and breathtaking illustrations from multi-award-winning talent Bryan Collier. Powerfully imagined for the present moment, Collier's illustrations meld the most emblematic moments of the twentieth-century Civil Rights movement with the present day, depicting the movements, protests, and demonstrations -- big and small -- as the fight for justice continues.

We Shall Overcome

It only takes a few words to create change. It only takes a few people to believe that change is possible. And when those people sing out, they can change the world. "We Shall Overcome" is one of their songs. From the song's roots in America's era of slavery through to the civil rights movement of the 1960s and today, "We Shall Overcome" has come to represent the fight for equality and freedom around the world. This important book, lyrically written by Debbie Levy and paired with elegant, collage-style art by Vanessa Brantley-Newton, pays tribute to the heroic spirit of the famous song that encompasses American history.

By and By

A stirring picture book biography from award-winning duo Carole Boston Weatherford and Bryan Collier, about gospel composer and preacher Charles Albert Tindley, best known for the gospel hymn "We'll Understand It Better By and By." At a time when most African Americans were still enslaved, Charles Tindley was born free. His childhood was far from easy, with backbreaking hours in the fields, and no opportunity to go to school. But the spirituals he heard as he worked made him long to know how to read the Gospel for himself. Late at night, he taught himself to read from scraps of newspapers. From those small scraps, young Charles raised himself to become a founding father of American gospel music whose hymn was the basis for the Civil Rights anthem "We Shall Overcome." Told in lilting verse with snippets of spirituals and Tindley's own hymns woven throughout, Carole Boston Weatherford's lyrical words and Bryan Collier's luminous pictures celebrate a man whose music and conviction has inspired countless lives.

We Shall Overcome : a song that changed the world

"We Shall Overcome" isn't a complicated piece of music. The first verse has only twenty-two words, most of them repeated. The melody is straightforward. The chords are basic. Yet the song has had a profound effect on people throughout the United States--and the world. In clear, accessible language Stuart Stotts explores the roots of the tune and the lyrics in traditional African music and Christian hymns. He demonstrates the key role "We Shall Overcome" played in the civil rights, labor, and anti-war movements in America. And he traces the song's transformation into an international anthem. With its dramatic stories and memorable quotes, this saga of a famous piece of music offers a unique way of looking at social history.

Strange Fruit : Billie Holiday and the power of a protest song

The audience was completely silent the first time Billie Holiday performed a song called "Strange Fruit." In the 1930s, Billie was known as a performer of jazz and blues music, but this song wasn't either of those things. It was a song about injustice, and it would change her life forever. Discover how two outsiders--Billie Holiday, a young black woman raised in poverty, and Abel Meeropol, the son of Jewish immigrants--combined their talents to create a song that challenged racism and paved the way for the Civil Rights movement.

Rhythm Ride : a road trip through the Motown sound

From award-winning author Andrea Davis Pinkney comes the story of the music that defined a generation and a movement that changed the world. Berry Gordy began Motown in 1959 with an $800 loan from his family. He converted the garage of a residential house into a studio and recruited teenagers from the neighborhood-like Smokey Robinson, Mary Wells, Marvin Gaye, Stevie Wonder, and Diana Ross-to sing for his new label. Meanwhile, the country was on the brink of a cultural revolution, and one of the most powerful agents of change in the following decade would be this group of young black performers from urban Detroit. From Berry Gordy and his remarkable vision to the Civil Rights movement, from the behind-the-scenes musicians, choreographers, and song writers to the most famous recording artists of the century, Andrea Davis Pinkney takes readers on a Rhythm Ride through the story of Motown.

Free at Last!

Dramatic first-person vignettes, along with poems and spirituals, trace American black history from emancipation through the Reconstruction and segregation, to the beginnings of the black Civil Rights movement.

Nobody Gonna Turn Me 'Round : stories and songs of the civil rights movement

In the summer of 1955, Moses Wright braved mortal danger to testify against three white men accused of murdering Emmett Till -- a brutal event that helped to spur the American civil rights movement. Nine black teenagers in Little Rock, Arkansas, headed out to a formerly white high school, despite warnings that "blood will run in the streets." James Lawson trained activists not to fight back with fists or words, no matter how many billy clubs rained down on them. Through ten turbulent years, black southerners filled jails and public places with the songs and strength passed down from their ancestors. This final book in a trilogy about the African-American experience is a tribute to the crusaders for equality and peace in America, a crusade that continues to this day.

The Roots of Rap : 16 bars on the 4 pillars of hip-hop

Presents the history of hip-hop including how it evolved from folktales, spirituals, and poetry, to the showmanship of James Brown, to the culture of graffiti art and breakdancing that formed around the art form

On My Journey Now

With the passion of a poet and the knowledge of a historian, Nikki Giovanni tells the story of Africans in America through the glorious words of spirituals. Ever since she was a little girl attending three different churches, poet Nikki Giovanni has loved the spirituals. In On My Journey Now, she paints compelling portraits of the lives of her ancestors through familiar songs such as "Go Down, Moses" and personal favorites such as "Ain't Got Time to Die," celebrating a people who overcame enslavement and found a way to survive, to worship, and to build.

Let It Shine

Coretta Scott King Award winner Ashley Bryan celebrates three favorite spirituals in this colorful and joyous picture book. This little light of mine, I'm gonna let it shine. Let it shine, let it shine, let it shine. Come, sing, and celebrate the power of the beloved songs "This Little Light of Mine," "Oh, When the Saints Go Marching In," and "He's Got the Whole World in His Hands" through kaleidoscopic illustrations of color and cut paper.

Sing a Song : how "Lift Every Voice and Sing" inspired generations

This stirring book celebrates the Black National Anthem and how it inspired five generations of a family

Hip Hop Speaks to Children

Hip Hop Speaks to Children is a celebration of poetry with a beat. Poetry can have both a rhyme and a rhythm. Sometimes it is obvious; sometimes it is hidden. But either way, make no mistake, poetry is as vibrant and exciting as it gets. And when you find yourself clapping your hands or tapping your feet, you know you''ve found poetry with a beat!

Slam School : learning through conflict in the hip-hop and spoken word classroom

Mainstream rap's seductive blend of sexuality, violence, and bravado hardly seems the stuff of school curricula. And chances are good that the progressive and revolutionary "underground" hip-hop of artists such as The Roots or Mos Def is not on the playlists of most high-school students. That said, hip-hop culture remains a profound influence on contemporary urban youth culture and a growing number of teachers are developing strategies for integrating it into their classrooms. While most of these are hip-hop generation members who cannot imagine leaving the culture at the door, this book tells the story of a white teacher who stepped outside his comfort zone into the rich and messy realm of student popular investments and abilities. Slam School takes the reader into the heart of a poetry course in an urban high school to make the case for critical hip-hop pedagogies. Pairing rap music with its less controversial cousins, spoken word and slam poetry, this course honored and extended student interests. It also confronted the barriers of race, class, gender, and generation that can separate white teachers from classrooms of predominantly black and Latino students and students from each other. Bronwen Low builds a surprising argument: the very reasons teachers might resist the introduction of hip-hop into the planned curriculum are what make hip-hop so pedagogically vital. Class discussions on topics such as what one can and cannot say in the school auditorium or who can use the N-word raised pressing and difficult questions about language, culture and identity. As she reveals, an innovative, student-centered pedagogy based on spoken word curriculum that is willing to tolerate conflict, as well as ambivalence, has the potential to air tensions and lead to new insights and understandings for both teachers and students.